![]() ![]() You can also get lots of beautiful colors by borrowing 1, 2, 3, or even all 4 notes from the diminished chord above (or from the 6th chord above when you’re on a diminished.) Over half diminished chords, play the min6dim on the 3rd (for Cm7b5, play Ebm6dim) Over dominant chords, play the minor 6th dim scale on the 5th, or for an altered sound, the min6 dim on the b2 (for C7, play Gm6dim or Dbm6dim) Over tonic minor chords (Min6, MinMaj7,) play the minor 6th dim scale on the root (for Cm6, play Cm6dim) ![]() Over minor 7 chords, play the major 6th diminished scale on the 3rd (for Cm7, play Eb6dim) Over major chords, play the major 6th dim scale on the root or on the 5th (for Cmaj7, play C6dim or G6dim for a Cmaj9 sound) First, you need to know all 12 major 6th dim scales and all 12 minor 6th dim scales. There are endless depths to be mined from his harmonic concept.
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